Fans of Ridley Scotts 1982 masterpiece Blade Runner returned to cinemas last month for an unusual milestone: history catching up with science fiction.

Blade Runner opens in Los Angeles, in November 2019. Furnaces burst flames into the perennial night and endless rain. Flying cars zoom by. The antihero film-noir detective, Deckard (Harrison Ford) has seen too much, drinks too much, and misses his mother between retiring replicants.

As in Back to the Future day, (October 21, 2015), which marked Marty McFlys journey into the future in the 1989 film, the Blade Runner screenings came with a flurry of discussion about what the filmmakers got right and wrong. Environmental collapse, yes. But where are our flying cars?

So: what now that the future is here?

Our current versions of near future stories - namely the television series Black Mirror (now on Netflix) and SBSs Years and Years - explore more extreme versions of the present.

Charlie Brookers Black Mirror is an anthology of standalone episodes, produced between 2011 and 2019, each set in a slightly different, undated, near future.

Years and Years, written by Russell T. Davies, bravely spans 2019 to 2034 with each episode leaping forward a few years through striking montages of fictional news events: the collapse of the European Union, the US leaving the United Nations, catastrophic flooding, mass migration, widespread homelessness.

We are in a very familiar world. The near is depicted in a realistic way through identifiable locations, documentary-style visuals, news footage, and lifelike dialogue.

Back in the real world, the future in the 21st century is unfolding in the palm of our hands. Elections are won and lost on social media, Sydney is covered in smoke. The rate at which technology is altering our lives is rivalled only by the rate were transforming our planet.

These shows explore these rates of change. In a 2016 episode of Black Mirror, Nosedive, every interpersonal interaction becomes a transaction: an extreme version of Uber Ratings with Chinas Social Credit System.

Read more: Chinas Social Credit System puts its people under pressure to be model citizens

Lacie (Bryce Dallas Howard) is an ambitious young professional excited by the opportunities higher ratings open up, such as discounts on luxury apartments, but being pleasant to her barista and workmates only gets her so far. So begins a perilous spiral of trying too hard to be liked, echoing the personality-as-product phenomenon of social media influencers around the world.

The standalone episode format of Black Mirror means it can be challenging to develop empathy for characters, consequently the interest often rests on the single concept or final twist. The episode Striking Vipers explores the possibility of extra-marital love between best mates in Virtual Reality; Hang the DJ envisions dating apps as an authoritarian apparatus.

Most episodes are neatly wrapped up for viewers to escape to for pure entertainment but also to escape from each dystopian possibility.

In Years and Years, we follow one Mancunian family over 19 years. The series opens with Trump re-elected for a second term. In the UK, the unconventional populist Four Star Party, led by straight-speaking Vivienne Rook (Emma Thompson), rides to success on the back of social instability.

Sci-fi concepts are introduced early on so we can explore their evolution and implications. In the first episode, teenager Bethany declares herself trans. As progressive parents, Stephen and Celeste immediately comfort their child, who they presume is transsexual.

Bethany shrugs, Im not transsexual Im transhuman. A concept not lost on Blade Runner fans who may be aware of transhumanist gatherings in Los Angeles in the 1980s, transhumanism is premised on the idea that humans have breached evolutionary constraints through science and technology. Biology is a restriction to the possibility of eternal life.

Read more: Super-intelligence and eternal life: transhumanism's faithful follow it blindly into a future for the elite

Disgust and dismay ensue from parents unable to comprehend why their child wants to rid her flesh and live forever as data. Through the course of the series we see how Bethanys transhuman ambitions influence her personal relationships, health, career trajectory, and political activism.

It even starts to feel normal.

Years and Years delicately resists portraying a dystopia, allowing room for technology to demonstrate a positive influence on society. Seor, the ubiquitous virtual assistant, connects the Lyons family whenever they wish. Like Alexa or Siri, Seor is always at hand to answer questions but more importantly, facilitates an intimacy that could easily be lost to technological isolation.

In 2029, grandmother Muriel digs up the dusty digital assistant Seor because she misses its company. By now, virtual assistants are embedded into the walls and omnipresent digital cloud but the Luddite grandmother resists.

I like having something to look at, Im not talking to the walls like Shirley Valentine, she says.

Its moments like these that remind us of our agency over technology and hint at its revolutionary potential to connect us all.

While classics like Blade Runner looked to the future to ignite our technological desires, near-future fiction reveals how new technologies are injected into our lives with little choice as to whether we should adopt them and little thought to their long-term appropriateness and sustainability.

These shows ask us to be critical of what might seem like minor developments in technology and politics. In an age of rapidly changing political landscapes and the climate catastrophe, it can feel like we are approaching the final frontier. In creating stories set in the near, instead of the far, future, science fiction provides valuable lessons for the present.

In other words: the choices we fail to stand up for in the near-future may prevent us from having a distant future at all.

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How our screen stories of the future went from flying cars to a darker version of now - The Conversation AU

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Alexa seems to know what I want to watch and when, Google search seems to know my wishes too when I search for my favorite restaurant online and perhaps even more interesting is that even the success of my 401(k) investments will ultimately be influenced by artificial intelligence (AI) that seemingly is becoming more real by the day.

There are a growing number of hedge fund managers even who rely on AI to outperform the market and to complete trades faster than our human mind can contemplate. They tend to exponentially outperform their non-AI counterparts with super-human ability.

So when one reads about the idea of an AI God that gained steam a couple of years ago, when self-driving car engineer Anthony Levandowski opened The Way of the Future Church, it seems as though the future has easily slipped into our present day-to-day activities in the blink of an eye.

According to The Way of the Future Churchs website, it is a movement about creating a peaceful and respectful transition of who is in charge of the planet from people to people plus machines. It is about something called the singularity point a point in time that is fast approaching when machine intelligence will surpass that of its human makers. Remember The Matrix trilogy, anyone?

The classic line by the films hero, Neo, comes to mind: Ever have that feeling where youre not sure if youre awake or dreaming? Thats a whole other Silicon Valley philosophy that we are merely in a simulation. But thats another topic, entirely.

The idea of people and machines being in charge, however, seems far from comforting and far removed from a Lutheran ideal of grace in removing God from the equation altogether.

This month Lutheran theologian Ted Peters dives into many of the thorny issues related to artificial intelligence and how some in the transhumanism community view it as a way of advancing our humanity beyond our physical bodies.

Countless movies and T.V. shows have taken on this topic including a popular Netflix series called Altered Carbon, where society simply views physical bodies as sleeves for ones uploaded consciousness that can be slotted over and over again into new bodies. Of course, there are problems and ethical dilemmas that give way to a dramatic story line.

Still, technology always seems to have a way making us feel smarter (thanks Google!) and almost invincible. That in its own right can be problematic, which is some of what Peters writes about this month.

Whether it is a new medical device, an app on your smart phone or even your Wifi connectivity, it is well worth remembering all have a piece of Gods very creation within it as do the technology developers who creatively make the invisible, visible every day.

Considering technology as our ultimate savior and life-giver sans God is what is at issue. Worshipping a powerful algorithmic God is short sighted too as we realize that even within the code itself there is the hand of a human being created in the image of a loving God who in turn supports the human intellect that ultimately wants to surpass itself.

Editor

Susan is an author with a long-time interest in religion and science. She currently edits Covalence, the Lutheran Alliance for Faith, Science and Technologys online magazine. She has written articles in The Lutheran and the Zygon Center for Religion and Science newsletter. Susan is a board member for the Center for Advanced Study of Religion and Science, the supporting organization for the Zygon Center and the Zygon Journal. She also co-wrote Our Bodies Are Selves with Dr. Philip Hefner and Dr. Ann Pederson.

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This article contains spoilers for Season 4

The latest and fourth season of 'The Expanse' is all about the quest for transhumanism while Holden and Co. struggle to weather foreign planets and proto-molecules trying to sabotage everything they are fighting for. Amidst all of that crazy science and action taking place, it is the coming together of the two primary groups of rivals the Belters and the New Terra trying to take over Ilus and establish their authority on the planet, to fight the big bad that steals the show.

The focal problem that most of the action revolves around in Season 4 of 'The Expanse' is the evergoing struggle of human biology trying to survive in an environment best suited for the extraterrestrial. While humans aren't used to breathing the same air as other planetary species, it automatically becomes difficult for them to build a life on Ilus. Things definitely don't help the populace on Ilus the Belters, when the RCE or New Terra barge in on their territory, trying to do what would be called on Earth a brazen urbanizing or gentrifying of their community.

With the atmosphere making it difficult for both the sections of human populace on Ilus to breathe, even with the partial oxygen that allows them to function properly, the fight for survival soon turns into a fight amongst themselves. The New Terra wants to establish their authority on Ilus and the materials it possesses, and the Belters aren't ready to give their land up. They feel threatened under the elaborate machines and mechanism of the New Terra, who even though probably mean well under Chrisjen's leadership, but come off as a fascist government trying to take over another community's life and livelihood.

While certain crucial plot points from the novel are definitely borrowed to escalate the story, the execution is somewhat swift without really delving deep into why the twists happened, or what the repercussions could amount to. It is only when Ilus, which is practically a colossal barren rock with alien particles sticking out, starts turning on the humans trying to make a home out of it, that these humans unite to fight back. Particularly, a giant explosion on Ilus is what brings the two forces of human societies together and that's right where things pace up to give us 'The Expanse' we have loved and adored so avidly since it hit the SyFy network back in 2015.

Sadly, we couldn't get much of a foray into what happens after the two join forces or how they overcome the explosive situation on Ilus due to the permissible episodes that were granted for early screening and press purposes ending right at this point. But it's safe to conclude that after five long episodes of just basically two rival parties fighting and holding each other off, this beautiful coming together is what has proved to be the highlight of the show so far.

'The Expanse' Season 4 premieres on Friday, December 13, only on Amazon Prime.

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'The Expanse' Season 4's biggest highlight is eventual coming together of Belters and New Terra - MEAWW